Tuesday, October 6, 2009

NY Film Festival 09

The New York Film Festival
September 25 - October 11, 2009
View Calendar >>

Main Slate
The NYFF Main Slate selections will screen at the fully renovated Alice Tully Hall, with reserved seating, except where otherwise noted.

Click on the SHOWTIME under Buy Tickets to purchase online. Tickets are also on sale at the Alice Tully Hall box office. Please note: Ticket availability may be limited for some screenings. On a daily basis, tickets are often released for sale ~ so please check back or for more information call 212-875-5050.

Tickets may be available through The Film Society Patron Program. To schedule your Patron tickets or to learn more about becoming a Patron, please contact Rob Mooney, Patron Programs Coordinator, at 212-875-5668 or via email at rmooney@filmlinc.com.



Main Slate
At Alice Tully Hall
Best available seat location for reserved seating.
>> Tickets: $20; $10 obstructed view (limited availability only at the Alice Tully Hall box office) ~ except where otherwise noted.
>> Rush Tickets: $10; one hour before showtime on the day of performance 50 rush tickets will go on sale ~ limit two tickets per person.
>> More ticket information
>> NYFF09 Complete Schedule in Calendar Format




OPENING NIGHT
Wild Grass / Les herbes folles
Alain Resnais, 2009, France, 113m
Read more >>

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Fri Sept 25: 6pm*
Fri Sept 25: 8pm**



CENTERPIECE
Precious: Based on the Novel ‘Push’ by Sapphire
Lee Daniels, 2009, USA, 109m
Read more >>

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Sat Oct 3: 7*
Sat Oct 3: 10*



CLOSING NIGHT
Broken Embraces / Los abrazos rotos
Pedro Almodóvar, 2009, Spain, 128m
Read more >>


Buy Tickets
Sun. Oct. 11: 5*
Sun. Oct. 11: 8*
*Closing Night Tickets: $40; $20 obstructed view (limited availability only at the Alice Tully Hall box office).



Antichrist
Lars von Trier, 2009, Denmark, 109m
Read more >>

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Fri. Oct. 2: 9
Sat. Oct. 3: 1



Around a Small Mountain / 36 vues du Pic Saint-Loup
Jacques Rivette, 2009, France, 85m
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Wed. Oct. 7: 9:30
Fri. Oct. 9: 3




The Art of the Steal
Don Argott, 2009, USA, 101m
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Tue. Sep. 29: 9:15 Tue. Oct. 6: 2**
**Screening at the Walter Reade Theater ~ unreserved seating
>> Rush Tickets at the Walter Reade Theater box office.



Bluebeard / La barbe-bleue
Catherine Breillat, 2009, France, 78m
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Sun. Oct. 11: 2




Crossroads of Youth / Cheongchun’s Sipjaro
An Jong-hwa, 1934, Korea, 74m
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Sat. Oct. 3: 11AM



Eccentricities of a Blond Hair Girl/ Singularidades de uma rapariga loura
Manoel de Oliveira, 2009, Portugal/France, 64m
Preceded by
Get Yer Ya-Yas Out!
Bradley Kaplan, Ian Markiewicz, Albert Maysles, 1969-2009, USA 27 m
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Sat. Sep. 26: 5:30
Sun. Sep. 27: 9:15





Everyone Else / Alle Anderen
Maren Ade, 2009, Germany, 120m
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Sun. Oct. 4: 9
Mon. Oct. 5: 6




Ghost Town
Zhao Dayong, 2008, China, 169m
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Sun. Sep. 27: 2:15



Hadewijch
Bruno Dumont, 2009, France, 105m
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Sun. Oct. 4: 6
Tue. Oct. 6: 9:15



Henri George’s Clouzot’s Inferno / L’Enfer de Henri-Georges Clouzot
Serge Bromberg and Ruxandra Medrea, 2009, France, 94m
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Sun. Oct. 4: NOON



Independencia
Raya Martin, 2009, Philippines/France/Germany/Netherlands, 77m
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Sun. Oct. 4: 3



Kanikosen
Sabu, 2009, Japan, 109m
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Sun. Sep. 27: 11:30AM
Mon. Sep. 28: 6



Lebanon
Samuel Maoz, 2009, Israel, 92m
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Thu. Oct. 1: 9:30
Fri. Oct. 2: 3



Life During Wartime
Todd Solondz, 2009, USA, 96m
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Sat. Oct. 10: 9
Sun. Oct. 11: 11AM



Min Yè... (Tell Me Who You Are)
Souleymane Cissé, 2009, Mali/France, 135m
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Mon. Oct. 5: 9
Tue. Oct. 6: 6



Mother / Maedo
Bong Joon-Ho, 2009, South Korea, 129m
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Fri. Oct. 9: 6
Sat. Oct. 10: NOON



Ne Change Rien
Pedro Costa, 2009, France/Portugal, 103m
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Thu. Oct. 8: 6



Police, Adjective / Politist, adj.
Corneliu Porumboiu, 2009, Romania, 115m
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Mon. Sep. 28: 9:15
Tue. Sep. 29: 6



A Room and a Half / Poltory komnaty ili sentimentalnoe puteshestvie na rodinu
Andrey Khrzhanovsky, 2009, Russia, 130m
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Wed. Sep. 30: 6



Sweetgrass
Ilisa Barbash and Lucien Castaing-Taylor, 2009, France/UK/US, 101m
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Sat. Sep. 26: 2:15



Sweet Rush / Tatarak
Andrzej Wajda, 2009, Poland, 84m
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Fri. Oct. 2: 6
Sat. Oct. 3: 4:15



To Die Like a Man / Morrer como um homem
João Pedro Rodrigues, 2009, Portugal, 138m
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Wed. Sep. 30: 9:15
Thu. Oct. 1: 6



Trash Humpers
Harmony Korine, 2009, USA, 74m
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Thu. Oct. 1: 10*
Fri. Oct. 2: 11:30*
*Screenings at the Walter Reade Theater ~ unreserved seating
>> Rush Tickets at the Walter Reade Theater box office.




Vincere
Marco Bellocchio, 2009, Italy, 129m
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Sat. Sep. 26: 8:30
Sun. Sep. 27: 6



White Material
Claire Denis, 2009, France, 100m
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Fri. Oct. 9: 9:15
Sat. Oct. 10: 6



The White Ribbon / Das weiße band
Michael Haneke, 2009, Germany/Austria/France/Italy, 144m
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Wed. Oct. 7: 6
Thu. Oct. 8: 9



The Wizard of Oz
Victor Fleming, 1939, USA, 103m
Read more >>

Buy Tickets
Sat. Sep. 26: 11AM


Mission
America’s pre-eminent film presentation organization, The Film Society of Lincoln Center was founded in 1969 to celebrate American and international cinema, to recognize and support new filmmakers, and to enhance awareness, accessibility and understanding of the art among a broad and diverse film going audience.

As an independent constituent of the world’s foremost performing arts center, the Film Society of Lincoln Center presents a 363-day season that includes premieres of new films from an international roster of established and emerging directors; major retrospectives; in-depth symposia and high profile events. The Film Society is one of those rare institutions whose stature is matched by its popularity, each year welcoming an aggregate audience of more than 200,000 film aficionados, filmmakers and industry leaders of every nationality, age, economic and ethnic group. The organization has been a pioneer among film institutions and one of the film world’s most respected and influential arbiters of cinematic trends and discoveries. François Truffaut, R.W. Fassbinder, Jean-Luc Godard, Pedro Almodóvar, Martin Scorsese, Wes Anderson– over the last four decades there is scarcely a major director who has not been introduced to American audiences by the Film Society.

The Film Society is best known for two world-class international festivals – the New York Film Festival (the most famous and prestigious in the country), and New Directors/New Films (celebrating new cinematic artists). It runs a state-of-the-art year-round cinema, the Walter Reade Theater (capacity: 268), and publishes the country’s most respected cinematic journal, Film Comment. Each year the organization presents its annual Gala Tribute honoring legendary stars and industry leaders of our generation at Lincoln Center’s Alice Tully Hall. At various times of the year the Film Society partners with Hollywood studios to present premieres and special live appearances.

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